Yesterday I did a couple of posts about efforts by fans and now, possibly, by J. J. Abrams, to re-cast the characters of the original Star Trek series in order to allow new stories to be told about them more easily.
I did so to build up to this:
A PROPOSAL BY JOE STRACZYNSKI AND BRYCE ZABEL FOR THEIR VISION OF HOW STAR TREK SHOULD BE REJUVENATED.
(CHT to the readre who e-mailed!)
They sent this proposal to Paramount back in 2004 and . . . well . . . nothing came of it. But it’s an interesting proposal.
Basically, they propose rebooting the Star Trek universe so that the writers won’t be boxed in by all the massive continuity recent Star Trek writers have been burdened with. Giving the universe a fresh start would allow them to take the exciting, interesting things about the series that made it popular, without having to be constrained in the stories they can tell by all the material that later followed.
It would also let them re-cast the characters so that we could have new stories involving Kirk, Spock, and McCoy–the triumvirate at the heart of the original series.
The basic idea was to offer another take on the original five-year mission–this time giving it a definite story arc and retelling classic tales in a new way, while supplementing them with entirely new stories.
What they had in mind is quite interesting–putting a significant mystery at the heart of the series in a way that would tie it toghether. They write:
As noted above and as established in television history, Kirk was the youngest starship
captain in the Federation…but what led to this? We know that the Enterprise was sent out
to explore where no human had gone before…but if you stop and think about it for a
moment, isn’t that an odd assignment…to take one of the finest ships in the fleet, give it to
the youngest captain in the Federation, and tell them to just go drive around and see what
they can find?It’s peculiar…until you allow for the possibility that they were looking for something
specific…something they had to keep a secret even from the rest of the crew.
The series treatment gives you a pretty good idea of what Straczynski and Zabel intended the secret to be, and it would have been interesting to see them get the chance to do it.
I found reading the series treatment quite interesting from a
literary perspective. Not only did they have to do a lot of
salesmanship as part of their attempt to convince network execs to give
them a chance, they also spent a surprising amount of time explaining
the concept of a reboot and how it would work. I guess studio execs in 2004 couldn’t be expected to be familiar with such concepts and had to be given a "let me lead you by the hand" explanation. (Probably not a bad idea. JMS tells horror stories about his initial attempts to get studio execs to understand the idea of Babylon 5 having rotational gravity.) Now you could just point to Battlestar Galactica, tho.
On his blog, where Dark Skies creator Bryce Zabel posted the treatment, he indicated that they also held back a lot of what they had in mind from the treatment, indicating that they had in mind a reboot somewhat like the Battlestar Galactica reboot that Ron Moore did, which would have resulted in a much grittier, edgier, and (frankly) interesting series than the kind of clean-as-a-whistle, formal, polyester kind of series that we got in Voyager (for example).
He also mentions that he’s had a whole new set of thoughts about how Star Trek could be revived since the 2004 proposal.
So be sure to

